Ise Sadatake was the leading historian of samurai culture of his day. Oguri Tadamasa 小栗忠政 (1555–1616) Ōsaka natsu no jin zu I have illustrated here two or three banners from within that painting that are a little unusual in form.” A certain retainer of the Lord of Yamagata castle Akimoto made a copy of this painting, and I begged him to allow me to make a copy. After the Mogami family died out, the painting came into the possession of the Kōzenji temple in Muikamachi, Yamagata, and still resides there. “In the sixth month of Genna 1, after successfully attacking Osaka castle in the province of Settsu, Tokugawa Ieyasu had a painting made that faithfully depicted the bloody battle that had taken place and gave it to Mogami Yoshiaki. For more information on the Mogami screen and Tozawa’s study of it, see Seiki shūzu on the tablet in the exhibit. A mid–nineteenth century copy of the same painting is displayed to your left. On these pages Tozawa illustrates several banners and standards used in the summer campaign of the Battle of Osaka (1614–1615) that he copied from a 1799 copy of the Mogami screen 最上屏風, a painting said to have been completed shortly after the battle in 1615. The following students at Brigham Young University provided transcription, translation and information in the preparation of this exhibit: Emily Bartholomew, Benjamin Black, Darin Brinley, Rachel Brisson, Mika Buehner, Ashley Burdge, Heather Cazahous, Taylor Collins, Jamie Cote, Jessica Croy, Dahlin Draper, Brian Emery, Alec Ferguson, Patrick Harris, Cameron Hilker, Jack Koch, Chad Martinez, Landon McGlinchy, Bradford Melluish, Sarah Miner, Ryler Nielsen, Michelle Pappenfuss, Spencer Pelfrey, Cameron Schmutz, Michelle Soderquist, Zachary Strong, Candice Thomas, Marianna Thomas, Bradley Warner, Vernon Wilcox, Derek Williamson. In this exhibit, you will see aspects of samurai identity in a number of forms - the weapons they once wielded in battle and later fetishized as relics of a glorious history the books they wrote and scrolls they painted in order to perpetuate their knowledge and memorialize their past and the images of samurai heroes that were re–appropriated as nationalist icons of imperial Japan in the early twentieth century. Particularly during the early–modern Tokugawa period (1600–1868) - two and a half centuries of peace - samurai used military science, weaponry and armor, and artwork to celebrate a martial past and re–invent an identity in a country without wars. Warrior clans battled each other for dominance and adapted the literary and visual arts of the courtier elite to construct hybrid identities that encompassed the arts of war and high culture. Continued abuse of our services will cause your IP address to be blocked indefinitely.Over the course of eight centuries (12 th–19 th) during which they ruled the Japanese archipelago, samurai created a rich cultural legacy that came to permeate all aspects of Japanese life. Please fill out the CAPTCHA below and then click the button to indicate that you agree to these terms. If you wish to be unblocked, you must agree that you will take immediate steps to rectify this issue. If you do not understand what is causing this behavior, please contact us here.
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